LibriVox · Anne of Green Gables (Full Cast)
Intermediate · B1–B2natural speed12:32public domain
Montgomery's beloved story with a different reader for every character. Anne's breathless monologues alternate with everyday household dialogue — a gentle on-ramp into conversation-style listening.
From "Anne of Green Gables (Full Cast)" by L. M. Montgomery, performed by a LibriVox full cast — every character voiced by a different reader. Real back-and-forth dialogue at natural speed, in the public domain.
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01CHAPTER IV.
02MOURNING AT GREEN GABLES.
03It was broad daylight when Anne awoke and sat up in bed, staring confusedly at the window, through which a flood of cheery sunshine was pouring, and outside of which something white and feathery waved across glimpses of blue sky.
04For a moment she could not remember where she was.
05First came a delightful thrill as something very pleasant, then a horrible remembrance.
06This was Green Gables, and they didn't want her because she wasn't a boy.
07But it was morning, and yes, it was a cherry tree in full bloom outside of her window.
08With a bound she was out of bed and across the floor.
09She pushed up the sash.
10It went up stiffly and creakily, as if it hadn't been opened for a long time, which was the case, and it stuck so tight that nothing was needed to hold it up.
11Anne dropped on her knees and gazed out into the June morning, her eyes glistening with delight.
12Oh, wasn't it beautiful?
13Wasn't it a lovely place?
14Suppose she wasn't really going to stay here.
15She would imagine she was.
16There was scope for imagination here.
17A huge cherry tree grew outside, so close that its boughs tapped against the house, and it was so thick-set with blossoms that hardly a leaf was to be seen.
18On both sides of the house was a big orchard, one of apple trees and one of cherry trees, also showered over with blossoms, and their grass was all sprinkled with dandelions.
19In the garden below were lilac trees purple with flowers, and their dizzily sweet fragrance drifted up to the window on the morning wind.
20Below the garden a green field lush with clover sloped down to the hollow, where the brook ran, and where scores of white birches grew, up-springing airily out of an undergrowth suggestive of delightful possibilities in ferns and mosses and woodsy things generally.
21Beyond it was a hill, green and feathery with spruce and fir.
22There was a gap in it where the grey gable end of the little house she had seen from the other side of the Lake of Shining Waters was visible.
23Off to the left were the big barns, and beyond them, away down over green, low-sloping fields, was a sparkling blue glimpse of sea.
24Anne's beauty-loving eyes lingered on it all, taking everything greedily in.
25She had looked on so many unlovely places in her life, poor child, but this was as lovely as anything she had ever dreamed.
26She knelt there, lost to everything but the loveliness around her, until she was startled by a hand on her shoulder.
27Marilla had come in unheard by the small dreamer.
28"'It's time you were dressed,' she said curtly.
29Marilla really did not know how to talk to the child, and her uncomfortable ignorance made her crisp and curt when she did not mean to be.
30Anne stood up and drew a long breath.
31"'Oh, isn't it wonderful?' she said, waving her hand comprehensively at the good world outside.
32"'It's a big tree,' said Marilla.
33"'And it blooms great, but the fruit don't amount to much never.
34Small and wormy.' "'Oh, I don't mean just the tree.
35Of course it's lovely.
36Yes, it's radiantly lovely.
37It blooms as if it meant it.
38But I meant everything—the garden and the orchard and the brook and the woods, the whole big dear world.
39Don't you feel as if you just loved the world on a morning like this?
40And I can hear the brook laughing all the way up here.
41Have you ever noticed what cheerful things brooks are?
42They're always laughing.
43Even in wintertime I've heard them under the ice.
44I'm so glad there's a brook near Green Gables.
45Perhaps you think it doesn't make any difference to me when you're not going to keep me, but it does.
46I shall always like to remember that there is a brook at Green Gables, even if I never see it again.
47If there wasn't a brook I'd be haunted by the uncomfortable feeling that there ought to be one.
48I'm not in the depths of despair this morning.
49I never can be in the morning.
50Isn't it a splendid thing that there are mornings?
51But I feel very sad.
52I've just been imagining that it was really me you wanted after all, and that I was to stay here forever and ever.
53It was a great comfort while it lasted.
54But the worst of imagining things is that the time comes when you have to stop, and that hurts.
55You'd better get dressed and come downstairs, and never mind your imaginings, said Marilla, as soon as she could get a word in edgewise.
56Breakfast is waiting.
57Wash your face and comb your hair.
58Leave the window up and turn your bedclothes back over the foot of the bed.
59Be as smart as you can.
60Anne could evidently be smart to some purpose, for she was downstairs in ten minutes' time, with her clothes neatly on, her hair brushed and braided, her face washed, and a comfortable consciousness pervading her soul that she had fulfilled all Marilla's requirements.
61As a matter of fact, however, she had forgotten to turn back the bedclothes.
62I'm pretty hungry this morning, she announced as she slipped into the chair Marilla placed for her.
63The world doesn't seem such a howling wilderness as it did last night.
64I'm so glad it's a sunshiny morning.
65But I like rainy mornings real well, too.
66All sorts of mornings are interesting, don't you think?
67You don't know what's going to happen through the day, and there's so much scope for imagination.
68But I'm glad it's not rainy today, because it's easier to be cheerful and bear up under affliction on a sunshiny day.
69I feel that I have a good deal to bear up under.
70It's all very well to read about sorrows and imagine yourself living through them heroically.
71But it's not so nice when you really come to have them, is it?" "'For pity's sake hold your tongue,' said Marilla.
72"'You talk entirely too much for a little girl.' Thereupon Anne held her tongue so obediently and thoroughly that her continued silence made Marilla rather nervous, as if in the presence of something not exactly natural.
73Matthew also held his tongue, but this was natural, so that the meal was a very silent one.
74As it progressed, Anne became more and more abstracted, eating mechanically, with her big eyes fixed unswervingly and unseeingly on the sky outside the window.
75This made Marilla more nervous than ever.
76She had an uncomfortable feeling that while this odd child's body might be there at the table, her spirit was far away in some remote, airy cloudland, born aloft on the wings of imagination.
77Who would want such a child about the place?
78Yet Matthew wished to keep her, of all unaccountable things.
79Marilla felt that he wanted it just as much this morning as he had the night before, and that he would go on wanting it.
80That was Matthew's way.
81Take a whim into his head and cling to it with the most amazing silent persistency—a persistency ten times more potent and effectual in its very silence than if he had talked it out.
82When the meal was ended, Anne came to the room, came out of her reverie and offered to wash the dishes.
83"'Can you wash dishes right?' asked Marilla distrustfully.
84"'Pretty well.
85I'm better at looking after children, though.
86I've had so much experience at that.
87It's such a pity you haven't any here for me to look after.' "'I don't feel as if I wanted any more children to look after than I've got at present.
88You're a problem enough in all conscience.
89What's to be done with you I don't know.
90Matthew is a most ridiculous man.' "'I think he's lovely,' said Anne reproachfully.
91"'He is so very sympathetic.
92He didn't mind how much I talked.
93He seemed to like it.
94I felt that he was a kindred spirit as soon as ever I saw him.' "'You're both queer enough, if that's what you mean by kindred spirits,' said Marilla with a sniff.
95"'Yes, you may wash the dishes.
96Take plenty of hot water, and be sure you dry them well.
97I've got enough to attend to this morning, for I'll have to drive over to White Sands in the afternoon and see Mrs.
98Spencer.
99You'll come with me and we'll settle what's to be done with you.
100After you've finished the dishes go upstairs and make your bed.' Anne washed the dishes deftly enough, as Marilla, who kept a sharp eye on the process, discerned.
101Later on she made her bed less successfully, for she had never learned the art of wrestling with a feather tick.
102But it was done somehow and smoothed down, and then Marilla, to get rid of her, told her she might go out of doors and amuse herself until dinner-time.
103Anne flew to the door, face alight, eyes glowing.
104On the very threshold she stopped short, wheeled about, came back and sat down by the table, light and glow as effectually blotted out as if someone had clapped an extinguisher on her.
105"'What's the matter now?' demanded Marilla.
106"'I don't dare go out,' said Anne, in the tone of a martyr relinquishing all earthly joys.
107"'If I can't stay here there is no use in my loving green gables.
108And if I go out there and get acquainted with all those trees and flowers and the orchard and the brook, I'll not be able to help loving it.
109It's hard enough now, so I won't make it any harder.
110I want to go out so much.
111Everything seems to be calling to me.
112Anne!
113Anne, come out to us!
114Anne, Anne, we want a playmate!
115But it's better not.
116There is no use in loving things if you have to be torn from them, is there?
117And it's so hard to keep from loving things, isn't it?
118That was why I was so glad when I thought I was going to live here.
119I thought I'd have so many things to love and nothing to hinder me.
120But that brief dream is over.
121I am resigned to my fate now, so I don't think I'll go out, for fear I'll get unresigned again.
122What is the name of that geranium on the windowsill, please?' "'That's the apple-scented geranium.' "'Oh, I don't mean that sort of a name.
123I mean just a name.
124You gave it yourself.
125Didn't you give it a name?
126May I give it one, then?
127May I call it—let me see.
128Bonnie would do.
129May I call it Bonnie while I'm here?
130Oh, do let me.' "'Goodness, I don't care.
131But where on earth is this sense of naming a geranium?' "'Oh, I like things to have handles, even if they are only geraniums.
132It makes them seem more like people.
133How do you know but that it hurts a geranium's feelings just to be called a geranium and nothing else?
134You wouldn't like to be called nothing but a woman all the time.
135Yes, I shall call it Bonnie.
136I named that cherry tree outside my bedroom window this morning.
137I called it Snow Queen because it was so white.
138Of course it won't always be in blossom, but one can imagine that it is, can't one?' "'I never in all my life saw or heard anything to equal her,' muttered Marilla, beating a retreat down to the cellar after potatoes.
139"'She is kind of interesting, as Matthew says.
140I can feel already that I'm wondering what on earth she'll say next.
141She'll be casting a spell over me, too.
142She's cast it over Matthew.
143That look he gave me when he went out said everything he said or hinted last night over again.
144I wish he was like other men and would talk things out.
145A body could answer back, then, and argue him into reason.
146But what's to be done with a man who just looks?' Anne had relapsed into reverie, with her chin in her hands and her eyes on the sky, when Marilla returned from her cellar pilgrimage.
147There Marilla left her until the early dinner was on the table.
148"'I suppose I can have the mare and buggy this afternoon, Matthew,' said Marilla.
149Matthew nodded and looked wistfully at Anne.
150Marilla intercepted the look and said grimly, "'I'm going to drive over to White Sands and settle this thing.
151I'll take Anne with me and Mrs.
152Spencer will probably make arrangements to send her back to Nova Scotia at once.
153I'll set your tea out for you and be home in time to milk the cows.' Still Matthew said nothing, and Marilla had a sense of having wasted words and breath.
154There is nothing more aggravating than a man who won't talk back, unless it is a woman who won't.
155Matthew hitched the sorrel into the buggy in due time, and Marilla and Anne set off.
156Matthew opened the yard gate for them, and as they drove slowly through, he said, to nobody in particular as it seemed.
157"'Little Jerry Beatt from the creek was here this morning, and I told him I guessed I'd hire him for the summer.' Marilla made no reply, but she hit the unlucky sorrel such a vicious clip with the whip that the fat mare, unused to such treatment, whizzed indignantly down the lane at an alarming pace.
158Marilla looked back once as the buggy bounced along, and saw that aggravating Matthew leaning over the gate, looking wistfully after them.
159End of chapter 4
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